Image source: Ollie Cunningham, Design Director at The Lane Agency
A collaboration between billboard powerhouse, Ocean Outdoor, and The Lane Agency – an Edinburgh, Scotland based digital marketing shop — is delivering a high-impact “thank you” to essential workers across the U.K. during the COVID-19 crisis.
It all started back in February 2020. Ocean Outdoor created a fund to help small-medium businesses advertise on their billboards at this challenging time, free of charge. Ocean has coverage in UK’s major cities, including London, Glasgow, Edinburgh, Manchester, Birmingham, Liverpool and Newcastle. The Lane Agency applied to the fund and nine clients received placement on the boards.
Ocean also offered media partners, like The Lane Agency, billboard placements to advertise their own services. Lane’s management team decided instead to use these placements to show thanks to essential workers such as first responders, healthcare professionals, and grocery store employees. After all, essential workers would be the one constituency regularly commuting to and from work, passing Ocean Outdoor’s highly sought-after billboard spots.
A brief rainbow appears
With rainbow thank you art becoming viral phenomenon in windows across the country, The Lane Agency asked both their in-house creative team and a wider ecosystem of design talent to create billboard executions that took the rainbow theme to new, larger formats. The rainbow brief was born.
“The objective of our rainbow campaign is to spread joy, celebrate creativity, and generate a positive emotional response — as well as expressing solidarity with the creative community we work with, we also hope to bring some happiness to people who see the posters, including key workers on the front line, helping the nation through the COVID-19 pandemic,” says Ali Findlay, managing director of The Lane Agency.
One issue that immediately presented itself was showcasing the finished artwork on the billboards. It’s standard practice to send a photographer to the billboard site and photograph the finished creative on site. With a shelter-in-place order in effect throughout the U.K., and only essential workers allowed to travel, this was not possible. This is where Adobe Photoshop came into its own, with The Lane Agency using available imagery of billboard locations and placing Photoshop renderings of the rainbow art at each billboard site.
In all, 21 artists contributed work, and a full gallery can be seen here. “I’m really proud to work for an agency that puts this much value on kindness, creativity, and community,” says Sallie Bale, account director at The Lane Agency, who is also the organizational mastermind behind the campaign. “Using Adobe for this type of project means consistency and quality. Our in-house creative team work with Illustrator, Photoshop, After Effects, and lot of our rainbows used Adobe Color to get that perfect hue.” Sallie has also been relying on Acrobat DC to review PDF versions of artwork as they come in from the creatives contributing to the campaign.
Of course, nothing beats seeing creative work out in the wild and thanks to Photoshop here’s a selection of executions.
“To create my Neon Rainbow, I used a combination of programs. From Illustrator to plan and draw the basic shapes needed. Then they were imported into Maxon’s Cinema 4d to model, texture and render. I then took all the rendered images to After Effects to add in the final little touches and render out as the final movie file for delivery. The ease in which all these programs seamlessly work together means, as a creative, you can get on and create.” —Ollie Hooper, freelance designer – Glasgow Central Station