Halfway through production of 2021 documentary, $avvy, COVID restrictions hit full-force. With Adobe’s help, the film was completed on-time & on-budget.
Robin Hauser’s passion is making documentaries with purpose — creating cause-based films that raise awareness of pressing societal issues with the goal to educate and motivate her audience to take action. Her latest film, $avvy, is a revealing and sometimes shocking look at the cultural reasons why women are often lacking in financial awareness, and why it’s critical for women to understand and take control of their personal finances. The process of making this documentary was like no other — half-way through the production of the documentary COVID-19 restrictions hit in full force, which nearly put a halt to the film. But Hauser felt strongly that $avvy was a film that needed to be made.
“I’ve always considered myself financially savvy,” Hauser said, explaining the inspiration behind the documentary. “I grew up with a father who was an investment counselor, and I worked in the stock market when I first got out of business school. But when I got married and had kids, I didn’t really work full-time for 25 years, apart from having a photography side job. Like many women, and many mothers, my task was to raise the kids, not necessarily to manage finances.”
At the age of 50, Hauser got divorced and for the first time in 25 years, she was solely responsible for her financial well-being. It opened her eyes to what other women were going through.
“That’s when I broke the taboo of speaking about money,” she recalled. “I talked to a lot of my friends and was surprised at what I was hearing. So many women were abdicating financial decisions to their husbands. It was shocking for me to learn how vulnerable we are if we’re not taking an active role in understanding our finances.”
A new remote editing workflow
By the time COVID-19 turned the world upside down, the $avvy team had shot some footage and created a demo reel for the documentary — there was, however, a lot of filming still to do. The original plan included shoots up to and including May 2020, none of which were possible anymore.
“We basically stopped all production,” Hauser explained. “It would have been easier if we had been at the editing stage already, which you can handle more effectively from home. We still had shooting to do, but fortunately we had filmed enough to start piecing together some scenes.”
To stay connected and creative, together, the team made use of Adobe Team Projects to collaborate remotely. It was the first time editor Shirley Thompson, who’s based in Hawaii, and assistant editor Annie Munger, based in California, couldn’t work together in the same room — an intimidating concept, but one that yielded great results.
“It was really exciting and a great learning experience,” Munger remembered. “Without Team Projects and the help of the Adobe team, the process of sending files back and forth to each other would have been very laborious and messy. It saved us a lot of time and effort. For an editor, there’s always a bit of nervousness involved when you’re using new technology, but the Adobe team was incredibly patient and supportive throughout the whole process.”
