Kylee Peña
Sr. Product Marketing Manager for Professional Editorial at Adobe
Kylee Peña is Sr. Product Marketing Manager for Professional Editorial at Adobe. As a former editor herself, she’s a seasoned problem-solver who wants to bridge the gap between creative and technology for all kinds of storytellers. Kylee has over 15 years of experience in post-production and hundreds of television and film credits as both a creative and technical professional on shows such as Jane the Virgin, Colony, and Scorpion. At Adobe, she is part of the team engaging with the professional post-production community to drive the future of Premiere Pro.
Image created using Adobe Premiere 25.6

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Adobe Premiere 25.6 adds smarter search, faster edits, and seamless collaboration

The newest version of Adobe Premiere brings next-level intelligence, speed, and collaboration to every part of your video workflow. Whether you’re cutting on your desktop or on the go, Premiere now brings a family of tools built to keep creators in flow.

11-19-2025

Adobe introduces major new updates in Premiere Pro (beta), After Effects (beta), & Frame.io ahead of 2025 Sundance Film Festival

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Adobe introduces major new updates in Premiere Pro (beta), After Effects (beta), & Frame.io ahead of 2025 Sundance Film Festival

Ahead of the 2025 Sundance Film Festival, Adobe is excited to introduce new features in Premiere Pro (beta), After Effects (beta), & Frame.io that will make editors and motion designers faster than ever.

01-22-2025

Generative Extend in Premiere Pro (beta)

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Generative Extend in Premiere Pro (beta)

Ever wish you had just a few more frames? A little more room tone? Ever deal with a camera that cut too early or started too late? Need just a tiny bit more for your edit to hit the drum beat or let the emotional moment settle? Yeah, us too. That’s why we’re excited to give you the first hands-on access to Generative Extend in Premiere Pro (beta), powered by Firefly Video model.

10-14-2024

Premiere Pro screen and workflow.

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Adobe introduces major new audio updates in Premiere Pro ahead of 2024 Sundance Film Festival

Today we’re excited to introduce the beta release of an intuitive, new audio workflow that makes it faster and easier to edit and mix sound directly in Premiere Pro. Whether you’re an experienced pro, a newcomer to editing, or you’re working on your audio skills, our new audio workflow will put the right tools for the job at your fingertips so you can focus on storytelling – and get to a final sound mix that sounds great with fewer clicks.

01-16-2024

Still image from Netflix’s “Shadow and Bone.

How I Cut This

Netflix’s “Shadow and Bone” earns 2023 Emmy nomination for VFX using Adobe After Effects and Photoshop

VFX Supervisor Ante Dekovic, used Adobe Creative Cloud tools After Effects and Photoshop to create stunningly realistic VFX sequences for Netflix's "Shadow and Bone," earning a 2023 Emmy nomination.

10-16-2023

Screenshot of "HBO Mario Kart Trailer"

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“SNL’s” Emmy-nominated “HBO Mario Kart Trailer” sketch edited with Adobe Premiere Pro and After Effects

Click to go behind the scenes with SNL editors Ryan Spears and Chris Salerno, who edit the hit show with Premiere Pro and After Effects

09-01-2023

Still from "Every Body"

How I Cut This

Editor Kelly Kendrick on why he chooses Adobe Premiere Pro and Frame.io to cut films like Tribeca’s “Every Body”, an uplifting story of the intersex community

Click to read an interview with editor Kelly Kendrick on creating Every Body with Premiere Pro, and go behind-the-scenes on the production.

06-09-2023

Filmmakers Georden West and Russell Sheaffer discuss their inspirations for Tribeca’s “Playland” and its creation using Adobe Creative Cloud

How I Cut This

Filmmakers Georden West and Russell Sheaffer discuss their inspirations for Tribeca’s “Playland” and its creation using Adobe Creative Cloud

Click here to learn about Playland filmmakers Georden West and Russell Sheaffer use of Premiere Pro to edit the Tribeca film.

06-09-2023

Image still from "Hey Viktor!"

How I Cut This

Editor Sarah Taylor on why Adobe Premiere Pro is her go-to editing tool for films like Tribeca’s “Hey Viktor!”

Click here to read an interview with editor Sarah Taylor on creating Tribeca film Hey Viktor! with Premiere Pro, and go behind-the-scenes on the production

06-08-2023