Meagan Keane

Meagan Keane is Principal Product Marketing Manager for Adobe Pro Video, but her beginnings were in feature documentary film production. She was producer on Defining Beauty (Audience Award for best documentary, Newport Film Festival, 2011) and Associate Producer on We Live in Public (Sundance Grand Jury Winner, 2009) and Join Us (LA International Film Festival documentary selection, 2007). Meagan made the move from film production to film technology in 2010 and joined Adobe Premiere Pro Management team in 2012. She enjoys remaining connected with the film industry, while influencing future innovation in her field. Meagan has an MFA in film production from USC’s School of Cinematic Arts.

Gif of Robot holding a heart.

Adobe MAX

Generate Video (beta) on Firefly Web App

Whether you’re a professional video editor, motion graphic designer, working in an agency, or running your own company, you’re constantly trying to tap into new ways to explore your vision – faster, better, and more efficiently. For the last decade, you’ve given us incredible feedback on how you want AI to reduce tedium and amplify your storytelling. And that feedback has continued to guide us over the past few months as we developed the Firefly Video Model to be compelling and creator friendly.

10-14-2024

Image from film “Albert Brooks: Defending My Life”.

How I Cut This

“Albert Brooks: Defending My Life” receives 2024 ACE nomination for best edited documentary using Premiere Pro, After Effects and Photoshop

Read on below for a behind the scenes look into the film. You can stream “Albert Brooks: Defending My Life” on Max.

02-20-2024

Still image from "Will & Harper”.

Sundance

The editing behind “Will & Harper” using Premiere Pro and Frame.io

Read on below for further details on the editing workflow, and be sure to keep an eye out for updates regarding the Netflix release date.

02-08-2024

Still image from the film “Every Little Thing” .

Sundance

Sharing the beauty of hummingbirds using Adobe Creative Cloud

Click here to learn about the editing workflow behind "Every Little Thing"

01-29-2024

Still image from “Conbody VS Everybody”.

Sundance

Editor and producer, Tory Stewart, used Premiere Pro to share the powerful story behind “Conbody VS Everybody”

We spoke with Tory Stewart, editor and producer of “Conbody VS Everybody” who used Adobe Premiere Pro to bring Coss’ story to life.

01-24-2024

Still image from the film "Kidnapping Inc."

Sundance

Director, co-writer, producer and co-editor Bruno Mourral uses Adobe Premiere Pro to shape Sundance film “Kidnapping Inc.”

Read on below for more insights into the making of the film.

01-23-2024

Still image from the Sundance comedy “Between the Temples”.

Sundance

Editing the Sundance comedy “Between the Temples” with Adobe Creative Cloud and Frame.io

Read on below for a glimpse into the making of "Between the Temples".

01-23-2024

Still image from the film “Dìdi (弟弟)”.

Sundance

Editor Arielle Zakowski shares how she edited Sundance Feature Film, “Dìdi (弟弟)”, using Adobe Creative Cloud

Click here to read an interview with editor Arielle Zakowski and assistant editor Christopher Tennant.

01-22-2024

Still image from the film The Battle for Laikipia.

Sundance

Exploring themes of environmentalism, colonialism, and conservationism in “The Battle for Laikipia” edited with Premiere Pro

Read on below for a behind the scenes look into the making of "The Battle for Laikipia".

01-22-2024

Still image from behind the scenes of Sundance film “Love Me” .

Sundance

Behind the scenes of Sundance film “Love Me” using Adobe Creative Cloud

Click here for a behind the scenes look into "Love Me"

01-19-2024

Still image of behind the scenes of FRIDA.

Sundance

Behind the scenes of FRIDA using Adobe Creative Cloud and Frame.io with Carla Gutierrez

Click here to read an interview with director and editor Carla Gutierrez.

01-19-2024

Still image from “Little Death”.

Sundance

“Little Death” editors use Adobe Premiere Pro to bring the Sundance dark comedy to life

Jake and Tyler relied on Adobe Premiere Pro, After Effects, and Frame.io to get the job done.

01-19-2024

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