Meagan Keane
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Meagan Keane is Principal Product Marketing Manager for Adobe Pro Video, but her beginnings were in feature documentary film production. She was producer on Defining Beauty (Audience Award for best documentary, Newport Film Festival, 2011) and Associate Producer on We Live in Public (Sundance Grand Jury Winner, 2009) and Join Us (LA International Film Festival documentary selection, 2007). Meagan made the move from film production to film technology in 2010 and joined Adobe Premiere Pro Management team in 2012. She enjoys remaining connected with the film industry, while influencing future innovation in her field. Meagan has an MFA in film production from USC’s School of Cinematic Arts.
![Gif of Robot holding a heart.](/en/publish/2024/10/14/media_18e210034dbd2852c5015c147e90a313ea88d012d.gif?width=750&format=gif&optimize=medium)
Generate Video (beta) on Firefly Web App
Whether you’re a professional video editor, motion graphic designer, working in an agency, or running your own company, you’re constantly trying to tap into new ways to explore your vision – faster, better, and more efficiently. For the last decade, you’ve given us incredible feedback on how you want AI to reduce tedium and amplify your storytelling. And that feedback has continued to guide us over the past few months as we developed the Firefly Video Model to be compelling and creator friendly.
10-14-2024
![Image from film “Albert Brooks: Defending My Life”.](/en/publish/2024/02/20/media_150f280e8f7706e12e2e6353436630d3aff48ae15.png?width=750&format=png&optimize=medium)
“Albert Brooks: Defending My Life” receives 2024 ACE nomination for best edited documentary using Premiere Pro, After Effects and Photoshop
Read on below for a behind the scenes look into the film. You can stream “Albert Brooks: Defending My Life” on Max.
02-20-2024
![Still image from "Will & Harper”.](/en/publish/2024/02/08/media_174552cb59167027daf7cefb1bfcb88c37d800f4e.png?width=750&format=png&optimize=medium)
The editing behind “Will & Harper” using Premiere Pro and Frame.io
Read on below for further details on the editing workflow, and be sure to keep an eye out for updates regarding the Netflix release date.
02-08-2024
![Still image from the film “Every Little Thing” .](/en/publish/2024/01/29/media_123ab9d332e7436f6394128d1dbbf937d672d689b.png?width=750&format=png&optimize=medium)
Sharing the beauty of hummingbirds using Adobe Creative Cloud
Click here to learn about the editing workflow behind "Every Little Thing"
01-29-2024
![Still image from “Conbody VS Everybody”.](/en/publish/2024/01/24/media_1c27b1ffa6493a8275c728f662d937b850ed16232.png?width=750&format=png&optimize=medium)
Editor and producer, Tory Stewart, used Premiere Pro to share the powerful story behind “Conbody VS Everybody”
We spoke with Tory Stewart, editor and producer of “Conbody VS Everybody” who used Adobe Premiere Pro to bring Coss’ story to life.
01-24-2024
![Still image from the film "Kidnapping Inc."](/en/publish/2024/01/23/media_1a52b5f266170a32a0986ada1b25f65e4488759d0.png?width=750&format=png&optimize=medium)
Director, co-writer, producer and co-editor Bruno Mourral uses Adobe Premiere Pro to shape Sundance film “Kidnapping Inc.”
Read on below for more insights into the making of the film.
01-23-2024
![Still image from the Sundance comedy “Between the Temples”.](/en/publish/2024/01/23/media_122b4515b90ccdf7a0b49babc1b55ec64501c7f2f.png?width=750&format=png&optimize=medium)
Editing the Sundance comedy “Between the Temples” with Adobe Creative Cloud and Frame.io
Read on below for a glimpse into the making of "Between the Temples".
01-23-2024
![Still image from the film “Dìdi (弟弟)”.](/en/publish/2024/01/22/media_1bd1b7109e0c18549478499bb838b4788e817bb53.jpeg?width=750&format=jpeg&optimize=medium)
Editor Arielle Zakowski shares how she edited Sundance Feature Film, “Dìdi (弟弟)”, using Adobe Creative Cloud
Click here to read an interview with editor Arielle Zakowski and assistant editor Christopher Tennant.
01-22-2024
![Still image from the film The Battle for Laikipia.](/en/publish/2024/01/22/media_1ccceb48a536a2dc87562a2ce01492192fa6f0dec.png?width=750&format=png&optimize=medium)
Exploring themes of environmentalism, colonialism, and conservationism in “The Battle for Laikipia” edited with Premiere Pro
Read on below for a behind the scenes look into the making of "The Battle for Laikipia".
01-22-2024
![Still image from behind the scenes of Sundance film “Love Me” .](/en/publish/2024/01/19/media_16e181718e12a06c2f9a569ad569d0de70a028841.png?width=750&format=png&optimize=medium)
Behind the scenes of Sundance film “Love Me” using Adobe Creative Cloud
Click here for a behind the scenes look into "Love Me"
01-19-2024
![Still image of behind the scenes of FRIDA.](/en/publish/2024/01/19/media_14d75226d6e5208cb0aa05cb5dd9a99db8d77c933.png?width=750&format=png&optimize=medium)
Behind the scenes of FRIDA using Adobe Creative Cloud and Frame.io with Carla Gutierrez
Click here to read an interview with director and editor Carla Gutierrez.
01-19-2024
![Still image from “Little Death”.](/en/publish/2024/01/19/media_14481cba31f2a77c165cba7e0a38941e1060b70a6.jpeg?width=750&format=jpeg&optimize=medium)
“Little Death” editors use Adobe Premiere Pro to bring the Sundance dark comedy to life
Jake and Tyler relied on Adobe Premiere Pro, After Effects, and Frame.io to get the job done.
01-19-2024